Wednesday, December 29, 2010

"The Universe Of Keith Haring" (art now)



Desperate need to make an art that connected to everyday life and everyday people...



This unique and personal approach to graphic drawing,was obvious at his early age,when he has absorbed the fundamentals cartooning skills by his father.
At the age of 18 he had a solo exhibition at Pittsburgh Arts and Crafts Center,and at the same year he went to study at New York's School Of Visual Arts,and became friends with others artists (such as  Jean-Michel Basquiat) and people from all over entertainment fields and begun to organize and participate to exhibitions at alternative venues and places.
Haring was also inspired by the work of Jean Dubuffet, Pierre Alechinsky, William Burroughs, Gysin and Robert Henri’s manifesto The Art Spirit, which asserted the fundamental independence of the artist and began to create drawings in white chalk upon blank paper panels throughout the subway system.He became famous by creating hundrents of "paintings" (between 1980 -1989) at sudways,where was the artist "modus vivendi".
Pop shop (april 1986) has been the next step,as a way of extension by creating and selling objects drawn by the artist's graphics,in a variety of prices and in a unique shopping enviroment,were Keith Haring has decorated the shop, with his famous graphics. 
Haring remained committed to his desire to make his artwork available to as wide an audience as possible, and received strong support for his project from friends, fans and mentors including Andy Warhol,although many people of the world of arts were not like the idea.
Haring devoted much of his time to public works, which often carried social messages.
He produced more than 50 public artworks between 1982 and 1989, in dozens of cities around the world, many of which were created for charities, hospitals and children’s day care centers.
He was diagnosed with AIDS in 1988 and during a brief but intense career that spanned the 1980s, Haring’s work was featured in over 100 solo and group exhibitions and died of AIDS related complications at the age of 31 on February 16, 1990 and this work can be seen today in the exhibitions and collections of major museums around the world.


 A giant 'spectacolour' billboard broadcast his famous Radiant Child image.





 


 


The photos and the texts on this blog are sourced from books and by various sites from the internet (apart from the ones taken by me). Original source is always mentioned. If you feel your photorights have been violated or they have been presented in a negative way, please send me mail. I´ll remove them from my blog immediately.
Thank you

 

"Le Sacre",Guillermo Kuitca's (art now)

Guillermo Kuitca's landmark 1992 work, "Le Sacre", is a thorough and official must see in New York right this minute.The concept of  beds (in various ways such as vertical,upside down..) as a contemporary papyrus,were the pin point of the most fundamental and vital cities and destinations,would be presented by the use of irregularly placed buttons,and was presented for first time in early 1990's. Kuitca realizes this vision as a way of decorating (covering) walls,adding that this work project  represents a meeting point of private and public experiences.


http://www.google.gr/imgres?imgurl=http://artobserved.com/artimages/2010/10/GuillermoKuitcaLeSacre1992SperoneWestwater.jpg&imgrefurl=http://artobserved.com/2010/10/go-see-new-york-with-onsite-video-guillermo-kuitca-paintings-2008-2010-le-sacre-at-sperone-westwater-september-22nd-through-november-6th-2010/&usg=__o04Qjh7i3wzFal9uG2imBlfhXCo=&h=434&w=625&sz=161&hl=el&start=0&zoom=1&tbnid=tWptryX_HwDjOM:&tbnh=133&tbnw=178&prev=/images%3Fq%3DGuillermo%2BKuitca%2B:%2BLe%2BSacre,%2B1992%2B:%2BAcrylic%2Bon%2Bmattress%2Bwith%2Bwood%2Band%2Bbronze%2Blegs%2B:%2B54%2Bbeds%26um%3D1%26hl%3Del%26sa%3DG%26biw%3D1419%26bih%3D590%26tbs%3Disch:1&um=1&itbs=1&iact=hc&vpx=135&vpy=78&dur=1600&hovh=187&hovw=270&tx=195&ty=120&ei=8aMbTdjgJMaDswbpg-XlDA&oei=8aMbTdjgJMaDswbpg-XlDA&esq=1&page=1&ndsp=20&ved=1t:429,r:0,s:0




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Ettore Sottsass's iconic Carlton room divider reimagined by LEGO artist (merchandising)

Colour as we already know is a very effective and impressive way, to atrract the peoples eye's.Harmony or contrast is a matter of the concept and of merchandise.An extremely interesting and highly creative concept,that combines colour and alternative eyes of decoration is the Iconic Carlton room diveider reimagined by LEGO artist.
The sense of  game (childhood memories),the creation (the abillity to create, a plane to a building),the art (the selection of colours and hues,reminds the artist that carefully choose the colour for his/her painting) gives to our eyes a blend of enthusiasm,a smile to our faces and mostly, it browden the orizons of our imaginations, simply by showing us this unique way of a "divider" that is no more strict ans simple..
Let your eye's to enjoy the sight.




http://www.google.gr/imgres?imgurl=http://www.theimagist.com/files/images/-1_6.thumbnail.jpg&imgrefurl=http://www.bloglovin.com/pl/blog/212077/the-imagist---everything-is-image&usg=__8EZYHMmZJm5OGlxOvMeR6ofIAA8=&h=431&w=640&sz=62&hl=el&start=0&zoom=1&tbnid=6q7vOhOlfZFqoM:&tbnh=120&tbnw=160&prev=/images%3Fq%3DEttore%2BSottsass%25E2%2580%2599s%2Biconic%2BCarlton%2Broom%2Bdivider%2Breimagined%2Bby%2BLEGO%2Bartist%2BNathan%2BSawaya%26um%3D1%26hl%3Del%26sa%3DN%26biw%3D1419%26bih%3D590%26tbs%3Disch:1&um=1&itbs=1&iact=hc&vpx=297&vpy=109&dur=1747&hovh=184&hovw=274&tx=162&ty=111&ei=F5wbTYzTEoaCswab1uTcDA&oei=F5wbTYzTEoaCswab1uTcDA&esq=1&page=1&ndsp=24&ved=1t:429,r:1,s:0






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Tuesday, December 28, 2010

MashaKirsanovaAmica (art & fashion)



MashaKirsanovaAmica






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Juha Arvid Helminen photo (styling)












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Peter Gray x Masa Honda | Asia Beauty Expo 2010 (styling)

Photographed by Takahiro Ogawa.
Asia Beauty Expo 2010.


More info & interview at www.dazeddigital.comAsia Beauty Expo



















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Monday, December 27, 2010

Why Kelly bag is so expensive ?

In total,it takes 18 hours to construct a Kelly bag.

http://www.google.gr/imgres?imgurl=http://www.glamchix.com/blog/wp-content/gallery/modern-classics-grace-kelly/princess-grace-hermes-bag.jpg&imgrefurl=http://www.glamchix.com/blog/%3Ftag%3Dmichael-kors&usg=__nTdff55gGGkOOtHMrXz_f1Bfweg=&h=390&w=468&sz=41&hl=el&start=0&zoom=1&tbnid=xVGMe63WlT5wwM:&tbnh=146&tbnw=175&prev=/images%3Fq%3Dbase%2Bof%2Bkelly%2Bbag%2Bhermes%26hl%3Del%26biw%3D1437%26bih%3D590%26gbv%3D2%26tbs%3Disch:1&itbs=1&iact=rc&dur=47&ei=-zcZTefKO4yDswaF5IzhDA&oei=-zcZTefKO4yDswaF5IzhDA&esq=1&page=1&ndsp=23&ved=1t:429,r:8,s:0&tx=141&ty=92






Unlike manifacturing for the mass market (were each process is divided among the work force),the making of the Kelly bag is undertaken by one person,from the begining to the end.For the last 20 years Hermes has even incorporated an embrossed stamp inside the bag,denoting the name of the craft worker who made it and the date also.This is the proof for the real Kelly bag,and also a way in case the bag needs to be returned,for repairs.

http://www.google.gr/imgres?imgurl=http://www.shoesbagsstore.com/assets/images/pic/hermes-azure-kelly-bag-713-6.jpg&imgrefurl=http://www.shoesbagsstore.com/cat/women-handbags/hermes-women-handbags/hermes-women-handbags-shoulder-bags-and-hermes-women-handbags-totes/hermes-azure-kelly-bag-387&usg=__rL1kHBJWUW01NVmCyOIBXGDJVUw=&h=375&w=500&sz=67&hl=el&start=149&zoom=1&tbnid=4agrFq45LupLbM:&tbnh=139&tbnw=183&prev=/images%3Fq%3Dkelly%2Bbag%2Bhermes%26hl%3Del%26biw%3D1437%26bih%3D590%26gbv%3D2%26tbs%3Disch:10%2C2852&itbs=1&iact=hc&vpx=483&vpy=256&dur=1310&hovh=194&hovw=259&tx=105&ty=114&ei=oDkZTcf3Ipzc4wbcnJ2GAg&oei=pjgZTa7wLIPusgbu9JjlDA&esq=4&page=7&ndsp=24&ved=1t:429,r:10,s:149&biw=1437&bih=590






The skins for the bag are selected according to personal requirements,and arrive at the atelierin hand cut pieces.

http://www.google.gr/imgres?imgurl=http://coquette.blogs.com/hermes_paperkelly_pattern.jpg&imgrefurl=http://coquette.blogs.com/coquette/2008/05/diy-paper-herms.html&usg=__vlZR4mznqy1yWtPghQ934nW5L7I=&h=848&w=600&sz=86&hl=el&start=23&zoom=1&tbnid=kCbibk4TtuiLsM:&tbnh=145&tbnw=103&prev=/images%3Fq%3Dkelly%2Bbag%2Bhermes%26hl%3Del%26biw%3D1437%26bih%3D590%26gbv%3D2%26tbs%3Disch:10%2C343&itbs=1&iact=hc&vpx=240&vpy=194&dur=5304&hovh=267&hovw=189&tx=114&ty=143&ei=sDgZTYaeNeic4Ab6-qyGAg&oei=pjgZTa7wLIPusgbu9JjlDA&esq=2&page=2&ndsp=25&ved=1t:429,r:1,s:23&biw=1437&bih=590








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For a bag made of alligator,the skins from two alligators are required,the skin from belly is used for the body of the bag,and the neck skin becomes the sides,while the lining made for goatskin,is constucted first as the base of the bag is then hand stiched to the front and the back with a double saddle stich (this process has two needles working waxed linen threads in tensile opposition.Each bag requires more than 2600 hand stitches and every stitch requires that the skin in first perforated with an awl,the traditional artisan's tool.also used by saddle makers.


http://www.google.gr/imgres?imgurl=http://cdn1.iofferphoto.com/img/item/171/553/777/Ltq8.jpg&imgrefurl=http://www.ioffer.com/si/alligator%2520bag&usg=__VLiXPMpGAXnhmcJhlMMIU_n5J6U=&h=366&w=400&sz=25&hl=el&start=0&zoom=1&tbnid=k-xPzptsbP0qsM:&tbnh=153&tbnw=162&prev=/images%3Fq%3Dalligator%2Bkelly%2Bbag%2Bhermes%26hl%3Del%26biw%3D1437%26bih%3D590%26gbv%3D2%26tbs%3Disch:1&itbs=1&iact=rc&dur=499&ei=GjoZTbi5FIeGswaouZ3MBQ&oei=GjoZTbi5FIeGswaouZ3MBQ&esq=1&page=1&ndsp=23&ved=1t:429,r:10,s:0&tx=58&ty=118






The handle is constructed from five pieces of lethar and is shaped by hand using a special knife,were the bevelled edges of the leather are then smoothed away with sandpaper and dyed to match the bag.Then the body is stitched to front flap and the handles glued and stitched to the bag.The clasp and the four metal feet on the base are riveted to the skin,and four holes are punctured to secure the bag's locking belt hardware.Finally the bag is ironed to get rid of the crinkles and the last step is to stamp the "Hermes Paris" name on each Kelly bag.


http://www.google.gr/imgres?imgurl=http://bagbible.com/blog/wp-content/uploads/2009/04/authentic-hermes-birkin-stamp.jpg&imgrefurl=http://bagbible.com/blog/how-to-spot-a-fake/hermes/&usg=__JIWvEujj_RnK2_RXK2MO5ZF4QLs=&h=375&w=500&sz=38&hl=el&start=0&zoom=1&tbnid=c8FU24ekoaEAHM:&tbnh=142&tbnw=177&prev=/images%3Fq%3Dstamp%2Bhermes%26hl%3Del%26biw%3D1437%26bih%3D590%26gbv%3D2%26tbs%3Disch:1&itbs=1&iact=hc&vpx=346&vpy=79&dur=1513&hovh=194&hovw=259&tx=92&ty=116&ei=9jYZTbLmOoeGswaouZ3MBQ&oei=9jYZTbLmOoeGswaouZ3MBQ&esq=1&page=1&ndsp=21&ved=1t:429,r:1,s:0







http://www.google.gr/images?hl=el&biw=1437&bih=590&gbv=2&tbs=isch%3A1&sa=1&q=two+needles+working+waxed+linen+threads+hermes&aq=f&aqi=&aql=&oq=&gs_rfai=











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Bags 1950s ( history of fashion )


It was in the restrained and formal setting of the grand salon of No 30 avenue Montaigne in Paris,that a couture collection apperead and in a single showing,changed the shape of fashion for a decade and defined the dominance of the city as the elite of the post war fashion industry.
When Chistian Dior unveiled his "Corolle" line in 1947(named by the petals of a flower),lated dubbed by the journalists as the "New Look",it entered the annals of fashion as a defining moment.
Dior's "New Look" presented a nostalgic form of feminity and was a celebration of luxury.
Huge crinoline calf-length skirts were supported by layers of stiffened petticoats that used up to 23 metres (75 feet) of material.
As Dior himself remarked "no one person can change fashion a big fashion change imposes itself".It was because women wanted to look like women again that they adopted New Look.










 



 
The turn of the decade was an era when the fashion consumer was in thrall to the dictates of couturiers such as Christian Dior,Jaques Fath,Cristobal Balenciaga,Pierre Balmain and Hubert de Givenchy.Manufacturers legitimately copied what was on the catwalk by purchasing the rights to individual garments,bying the toile (a calico version of the piece) and they woulb be able to copy it stich for stich in cheaper materials,fo the ready to wear market.
The new fashion and women's magazines reorted the latest designs,and were keen to offer instructions on how these garments should be accessorized.Good grooming was paramount, hair had to be perfectly coiffed,wearing a costume and a total harmony of hat,gloves and handbang.
These manners and the New Look of Dior,reminds us the attitude and social of the Victorian times.
Women now were encouraged to give up theit autonomy and return to the confines of the home.
As 1950s was a period that made possible as handbags became increasingly affortable,an important number of specialist stores and handbag companies, made tha variety of handbags availiable to all.
Bags became cheaper with the increase in post war mass production and the introduction of the new plastics,including vinyl (which could wiped clean,giving a more practical face to lighter pastel shades,and it's shiny surface lent itshelf to the almost futuristic streamlined shapes,that appeared at the end of the decade.
A woman in fashion had a wardrobe of bags that might include a pingskin framed box handbag to wear with tweeds,a framed balloon style bag in leather with short handles for daywear and for eveningwear an elongated envelope clutch.
The envelope bag went well with the long,lean linew of the Parisian couturier Jacque Fath,were evening bags generally considered at their smartest in black satin or suede.
More expensive evening bags had frames of gold,decorated with diamonds,but for more formal occasions,a small coctail bag of silver or gold brocade,kidskin or embroidered silk would be required to complement the rapier slim silk sheath dress.
The "wedding bags"made in white satin or silk,heavilly embellished with Beauvais beadwork,involving a tiny chain stitch and equally tiny alabaster beads in a floral design,giving a more "retro" look
The decorum of the 1950s allowed no leeway for the idiosyncratic and matched sets of shoes and handbags were an indication of perfect grooming.

 
A luxurious evening bag in cream silk,heavily embroidered by the Britsh company H Wald & Co known as "sweethurt purses"





 
Model Anne Saint Marie for Balenciaga.

 Model Anne Saint Marie for Jacque Fath.

 


 
Hollywood adopted Dior's New Look as it's own and called in "sweeetherat line" and had perticular longevity in the cinema where its popularity was prolonged by the contume designers Edith Head and Helen Rose.Head was worked on all Hitchcock' films (Rear window in 1954) remarked on Grace Kelly's faultless figure and carriage that needed none of the designer's constumary disquises,were the Hollywood version of Christian's Dior's 1947 collection,showed off the actress's perfect figure (when at the first appearence at Rear window shows her framed in a doorway,wearing a dress "right off the Paris plane",were the skirt is wider than the doorway through which she steps.The acress is carrying an overnight case that has been especially created for the film by Max Holzman for the Mark Cross Company.

 

 
This was not the only bag that became famous by association with the elegant star.During Filming "Catch a thief 1955" directed by Hitckcock,Kelly met her future husband Prince Rainier of Monaco and were married in 1956.Kelly became pregnant at the same year and appeared on the cover of American Time magazine hiding her pregnancy with a classic Hermes bag which after became known as Kelly bag.

 

Hollywood's most celebrated film stars were Marilyn Monroe and Elizabeth Tayleor,both voluptuous and brimming with sex appeal in waspwaisted dresses that emphasized their provocative appeal.Audrey Heburn offered an alternative to these stereotypical screen goddesses and was to influence a whole generation of women including Jackie Kennedy.Heburn embodied the appeal of a new decade.Although Hubert de Givenchy,an aristocratic French born couturier,first open his salon in 1952,Heburn's adoption of his chemise line heralded the approach of 1960s minimalism (the body skimming and simple line was the first innovation to come out of Paris since Dior's New Loon in 1947).Givenchy streamlined suits of solid blocks of bright colour,caught by a single button or fold of fabric,epitomized a clean cut,unfussy glamour that necessitated a clean,streamlined handbag,hence the arrival of clutch bag.Breakfast at Tiffany's,made in 1961,conveys the difference between the decades in the fashion espoused by the two female leads.


Breakfast at Tiffany's (1961)


 
This sort sleeved sheath dress and bag date from 1955 and create an elegant and seamless look.

 

 


Iconic handbags brands such as Prada and Fendi became household names during the period between 1945 and 1965,when Italy began to develop a design industry that was to influence the world.During the period made in Italy came to mean good design and superior craftsmanship,precepts which held true thoughout the following decades.The origins of these companies that went on to produce "it" bags,during the later decade of 20th century,had their provenance in the years before First World War as saddle makers and leather and luggage suppliers including Gucci (1906) and Prada (1913).
Design innovation flourished Salvadore Ferragamo invented the stiletto heel,Emilio Pucci started his fashion empire and the Fendi family developed their fur and leather business.
The son of Gucci,produced the bamboo handled handbag in 1957,a response to the post war shortage of leather.Gucci bag became known as Jackie bag,after Jacqueline Kennedy Onassis (alongside the Chanel 2.55 and Hermes Kelly bag),and the scarcity  of leather led the Gucci company to develop their trademark red and green striped webbing,which was derived from the saddle girth,and the print their distinctive double G motif on canvas.They also bedecked the front of their iconic suede moccasin loafer with a miniature horse's snaffle.These were the signature elements that defined the label for the next three decades,until the American designer Tom Ford was invited to rebrand the company in 1992.



 
bambbo handled handbag Gucci




 Vintage Gucci speedy bag, with signature double 'G' logo and trademark red and green striped webbing.



Emilio Pucci entered fashion scene 1955



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The photos and the texts on this blog are sourced from books and by various sites from the internet (apart from the ones taken by me). Original source is always mentioned. If you feel your photorights have been violated or they have been presented in a negative way, please send me mail. I´ll remove them from my blog immediately.
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